Underwriting vs. Overwriting: Which Are You?

Do you write too much? Or not enough? And what does that mean for traditional publication?

There is so much advice floating around out there about how important it is to follow the expected and established word counts in the industry. For example, many agents, editors, and publishers will not consider works that fall outside of expected word count ranges, and it may even be a reason to reject the work.

The reason is pretty simple: these word counts have been established based on audience and genre, and falling outside these ranges can be indicators of serious deficiencies in the novel (or that it may not be a novel at all, but rather a shorter story) or a lack of knowledge of the industry by the author.

And honestly, with such an overcrowded market, some agents will look for any reason to reject manuscripts, just because they have so many submissions (at least that’s what I’ve heard… please, feel free to hop in the comments and correct me if I’m wrong!).

So it becomes necessary for those of us seeking traditional publication in any form to pay attention to our word counts. And that can identify your writing tendencies.

Underwriting is when a writer will finish a first draft with a lower word count than they need. So, for example, Sea of Broken Glass was only 74k words at the end of the first draft. For reference, a typical young adult fantasy (the genre for SoBG) is expected to be between 80 and 100k words. Once again, anything outside of that range, and traditional publishers or agents may reject it for not conforming to industry standards.

But when I finished at 74k, SoBG was missing a lot of scenes and details that were needed to pull the story together. And when I rewrote it (draft 2), I ended up adding over 20k words. Right now, while it’s with betas, it’s a little over 96k words long, by far the longest thing I’ve ever written.

It just didn’t start that way.

And then there’s the opposite problem, overwriting. In overwriting, a writer will write WAY more words than needed for a book. So let’s take an example from a friend of mine. She had a YA fantasy that clocked in at near 200k words… twice as much as most agents and publishers will allow. So when she went back to editing, instead of bulking it out, she had to find ways to cut her word count by a lot.

Every writer has their own style when it comes to drafting and editing, and even specific books by the same writer can be different from a writer’s “normal.” But in general, the more works a writer writes, the closer they may get to their target word counts after draft one and the more they will recognize where they tend to fall on the scale.

So that’s me! Underwriters unite!

In the next couple of weeks, we will discuss a few ways to resolve either of these issues, first for the underwriters, then for the overwriters. Hopefully with a few tips and tricks up your sleeve, you can figure out how to drag your novel closer to its target word count.

Until then, let’s talk in the comments! Where do you fall on this spectrum? Do you follow traditional word counts for your works?

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NEWS!

Of the Clouds releases next Saturday, so Friday’s post will be moved to Saturday, and this blog post series will continue after that! Hooray!!!

My Fantasy Favorites

Welcome to February is Fantasy Month!

Hi there friends! Happy February! This is going to be a huge month packed with all sorts of goodness, including the cover reveal for This Cursed Flame next week!!! This month is also Fantasy Month, so to celebrate we are going to dive into fantasy books in wonderful ways.

And what better way to kick off Fantasy Month than to share some of my all-time, current favorite fantasy reads??? I’ll break this down into a few categories, but these are some of the fantasy books I have read and loved over the years. (And yes, Harry Potter is on the list, but today I want to highlight other books!)

High Fantasy

I’m really picky about this! I don’t really love the LoTR-type fantasy (that whole Medieval Europe sword and sorcery thing). But here are a few others I enjoyed!

The Way of Kings (The Stormlight Archives #1), by Brandon Sanderson

This book is the first I read of Sanderson’s… but it made me see why everyone considers him the master fantasy writer! It’s full of unique setting and world details and has an intriguing and unique storyline that never gets old! It’s a brick of a book, but I loved every second of it. And that magic system! *swoon*

Golden Daughter (Tales of Goldstone Wood #7), by Anne Elisabeth Stengl

THIS is how you do “inspired by” fiction! Stengl created an amazing world inspired by Asian culture, and it made for an incredible story and setting. And even though it’s #7 in the series, each can be read alone and out of order.

The Killing Moon (Dreamblood #1), by N.K. Jemisin

This is another example of unique worldbuilding and magic systems. The magic is based in dreams, and the culture has a very Egyptian feel to it. I loved getting to see such a unique world and meet characters with all kinds of struggles! One day I will read book #2…

Spice Bringer, by H.L. Burke

This is another awesome world with a very fun cast of characters. I loved the journey, and I loved the way the book made me think about life and faith and the things that really matter.

Urban Fantasy (Adult)

Okay, I LOVE urban fantasy! So here are some of my favorites. (Caution on some of these… they are written for an older audience, so if you are sensitive about content, look it up before reading!)

The Others series, by Anne Bishop

Oh. My. Word. This is such a twist on classic supernatural creatures, and the characters are so lovable, and the world is so intense… This may be my all-time favorite UF series!

Mercy Thompson series, by Patricia Briggs (also see Alpha and Omega series, which is a spinoff)

This is one of the best and most fun UF series out there. There are plenty of werewolves, vampires, shifters, and ghosts to go around! And Mercy is a blast of a main character to read. She’s fun and strong and intense!

October Daye series, by Seanan McGuire

Okay, McGuire has written some fantastic books, including ones under a pen name, and this series does not disappoint. Half-fae detective? Um, yes!

Split Feather, by Deborah A. Wolf

I. Loved. This. Book. And there need to be more of them ASAP. Let me just say BEAR SHIFTER WHO CAN GO INTO THE UNDERWORLD.

Weather Warden series, by Rachel Caine

While she may be better known for some of her vampire fiction, this series is about djinn and their relationship with gifted humans who can control elements such as earth, fire, and weather. It’s an amazing world that just gets better with every page.

YA (Young Adult) Fantasy

As a writer of YA fantasy, I love reading in this genre. And it is full of gems!

Children of Blood and Bone, by Tomi Adeyemi

That magic system, the mythology, the story… just wow!

The Elementals, by A.L. Knorr

Everything Knorr writes is amazing, and I especially love her elemental girls. Definitely a series not to miss!

Lost Voices series, by Sarah Porter

This is a mermaid trilogy, and it is definitely at the top of my mermaid fiction list. The mythology is great, the world is fantastic, and it is just dark enough and exciting enough to hold your attention until the last page. And each book just gets better!

Monsters of Verity series, by Victoria Schwab

This is such a great duology. It’s one of those stories that has a neat mythology and also makes you question real life. And her writing is some of the best out there!

Shadowshaper, by Daniel Jose Older

You want to talk magic systems? This is the one. Things the main character draws or paints can come to life… and follow her commands!

MG (Middle Grade) Fantasy

Oracles of Fire series, by Bryan Davis (companion series to the Dragons in our Midst series)

This is a Christian fantasy series I grew up with and loved. It makes you think, and it draws you into the characters and their world so completely.

Artemis Fowl series, by Eoin Colfer

You want a fun, lighthearted romp with tons of mythology? This is the series. I have loved these books since middle school, and I’m not putting them down any time soon!

Continue the Adventure!

You can check out the full schedule for February is Fantasy month here, and the next posts will be up according to the schedule. So jump in to the other blogs, hop onto Twitter for the hashtag game, and let’s have some fun!

Other Participating Blogs

There are a ton of bloggers participating in February is Fantasy Month. Here is a list (and hopefully I didn’t miss anyone!):

10 Mental Health Tropes I Hate in Fiction

Are there certain types of tropes that just bug you? Here are a few related to mental illness that I can’t stand!

For a ridiculously long time, there has been a large back-and-forth between the societal stigma of mental illness and the progress science, and society, has made in understanding and treating these illnesses. This stigma and the views of society are often apparent in fictional depictions of mental health and mental illness. And, honestly, they’re usually at the best not very good and at the worst downright dangerous and harmful. And this is coming from a girl who loves to read books with mental health elements to them! So today I want to talk a little about some of the tropes surrounding mental health that I just cannot stand.

There may be some tough topics ahead, and you may not agree with all my points. But hang on, friends. This is a long one.

1. Labeling a person as “crazy.”

This just irks me, mostly because when it is used, a lot of the time it is simply because the character doing the labeling (like an ex-boyfriend) is making an excuse for the horrendous behavior that led the person to their so-called “crazy” behavior. Or, it is used as an excuse to disregard a person’s feelings and opinions. OR it is reducing a person or a character to someone else’s flawed idea that is mostly just a smokescreen for that other person’s flawed ideas.

And sadly, this happens in real life, too. We can do so much better, people.

2. People with mental illness are dangerous.

OH MY WORD I cannot stand this one. And it’s current! I just saw Bird Box on Netflix this week, and boy, does it hold onto this one!

POSSIBLE SPOILER ALERT! (Skip this paragraph if you haven’t seen the movie yet) In the movie, there are “criminally insane” people from an asylum who escaped after everything started going downhill for the world. And these people don’t kill themselves after seeing the creatures, like most people do; instead, they force other people to look at them, leading these other people to kill themselves. And if you don’t willingly look, they force you to. Violently.

Here’s the problem: this trope perpetuates a fear of people with mental illness that already exists in society. Furthermore, this is an unfounded fear. In fact, people with mental health issues are more likely to be the victims of violence than the perpetrators, and if you want a stat, only 3-5% of violent acts are attributable to people with mental illness (that debunked myth, and a bunch of others, can be found over on MentalHealth.gov).

3. Dissociative Identity Disorder

Yes, this disorder gets its own bullet-point.

Dissociative Identity Disorder (DID), formerly known as multiple personality disorder, is often used in fiction to create either dangerous characters (see Point 2) or quirky, multifaceted characters. The alters (personalities) are often portrayed as just good folks in need of acceptance.

But like so many mental health scenarios in fiction, this is wrong. DID is a complex and serious disorder requiring a properly trained and competent therapist to help integrate the alters. Accepting the alters as they are shouldn’t be the goal of therapy or of the person suffering from the disorder. But instead of this, a lot of fiction writers exploit this disorder to perpetuate a harmful idea that alters can be good, or to make their character more interesting.

4. Mental illness makes a person smarter or more creative.

No.

Oh, you want the long version? Okay, let me explain. So there’s this romanticized notion that to be an intelligent or artistic person, you must be a “tortured soul,” aka suffer from some sort of mental illness. But this is yet another myth perpetuated by fiction.

Here’s the facts: people with mental illness typically find that the illness interferes with their ability to think clearly and create. In fact, I can personally attest to this.

You see, a few years back, I suffered from a pretty serious bout of depression, which I had experienced to a slightly lesser degree on and off for years and years before that. Before the depressive episode hit, I was writing thousands of words per day, and I even completed two full-length novel drafts within only a few months. And when the depression hit, I went to school, then came home and sat on the couch until 3-4 in the morning doing nothing other than watching TV. I couldn’t create. I wasn’t more creative or thoughtful or intelligent. I was stagnant and unmotivated and self-depracating. It killed my ability to live to my potential. And for a lot of people with depression, they don’t even survive to come out the other side like I did.

So yes, please, let’s stop romanticizing mental illness.

5. The weird, dangerous, or unethical therapist.

*sigh* Okay. So fiction seems to mostly have two options for treatment of mental illness by a mental health professional: no help (which is Point 6) or help by a therapist who is weird, dangerous, or unethical.

“Weird” therapists are those who seem spacey or are bumbling, fumbling idiots. It makes therapists seem aloof and distant, when in reality, a good therapist is attentive, down-to-earth, and easy to talk to.

But what I personally find even more alarming are the portrayals of therapists who do things that are unethical and, quite frankly, dangerous. They experiment on their clients or patients. They torture them. They form relationships with them that step beyond the appropriate professional relationship. It bothers me.

And why do I hate these so much? Because they scare people by painting an image of a horror movie or ridiculous scenario every time someone suggests therapy. And it can keep people from seeking the help they need. And that is dangerous to their well-being.

6. There are no therapists.

On the other end of the spectrum are the stories where mental illness runs rampant and unchecked or there is never anything to address traumatic experiences. These are the stories where the kid watches his parents die, but no one bothers to consider how that might impact him emotionally or psychologically. Or the girl going through a manic episode just keeps getting worse because no one seems to notice. The reality of life with mental issues and illnesses is ignored in favor of drama. And that is also not okay. I see it spreading a message of hopelessness and feelings of being unnoticed and unimportant. We need more realistic pictures of therapy across the board.

7. Mental illness as a “quirk” or “flaw.”

This is another pet peeve of mine. Writers will take a person, decide they’re too bland or uninteresting, and give them a mental illness, like OCD, to make them more interesting or quirky. Or their character is too perfect, so to give them a flaw, they give them severe and crippling anxiety.

Now, it’s perfectly fine to write characters with mental illness (and in fact there should be plenty of them, since so many people experience them). But what’s not okay is using them as a sideshow for the story. The illness needs to be purposeful and sensitive, and it shouldn’t be used for comedy or to imply that having a mental illness makes a person flawed. There are so many other flaws out there that mental illness shouldn’t be used as one of them.

8. Mental illness can be overcome by trying just a little bit harder.

This one also angers me from my experience. I can’t tell you how many people told me, when I was going through my worst, to “just be happy,” or “get over it,” or “pray more.” Like I wasn’t trying hard enough to get through my problem. Like it was somehow my fault. And unfortunately, this societal attitude carries right through to fiction.

There are so many stories out there where one character will tell another to just pull themselves up by the bootstraps and get over it… and they did. And that is completely unrealistic.

And this trope is harmful, because it implies to people experiencing mental illness that it’s their own fault and their own shortcoming that is causing them to suffer.

And that’s so very much not true. Mental illness is like physical illness; even the brain can get sick. Do you tell a person with the flu to just get over it? What about someone with meningitis? No! You take them to a doctor and tell them to let you know if they need anything. And that is how it should be for mental illness, too!

9. Taking a pill immediately fixes everything.

There’s another trope where a person suffering from a mental illness will take a single pill or have a startling revelation and suddenly everything is fine. It’s the idea that a single quick fix can change that person’s state immediately.

That is not how it works.

Some medications take weeks to start working, and they work better when a person also talks to a mental health professional. It takes time. And it’s not a straight process; there are ups and downs, relapses and recoveries. It’s hard work. It’s not just a simple fix of “take this pill and everything will be great!” And every illness, and every medication, has different timelines and effects and side effects. And none of them is that easy.

10. Suicide: romanticizing or using for revenge.

We’ve finally made it to the last one. And this one is the heaviest, and the one I considered not including.

Suicide is never to be taken lightly. It’s not a joke, it’s not something you just casually throw in. And many fiction writers talk about it in ways that can make it seem appealing, like and escape or a way out, especially to people who are struggling with just living life.

And then there is the idea of using suicide as a way to get back at someone. Looking at you, Thirteen Reasons Why! These tropes suggest that suicide is a viable way out, a good way to get the last word. But it’s not. Because the person who dies is still gone. And they leave broken hearts and broken friends and families behind them. Every single one. So let’s stop making it into something pleasant and positive when it’s not.

Concluding Thoughts

I know this was quite a long post today, but mental health is something I am very passionate about, and seeing these destructive tropes in my fiction burns me up! Let’s do better, as writers and readers, to create and demand realistic fiction that doesn’t make light of mental illness, make it a joke, or perpetuate harmful stigmas. Let’s make it something for people to understand and relate to. We need to do better, for ourselves, for society, and for people suffering from mental illness.

And if you are struggling in any way, with anything at all, please consider talking to your doctor or a mental health professional. There are so many options available to you, and help is out there, waiting! There is hope. You can visit To Write Love on Her Arms, the National Suicide Hotline, or a variety of other sites all designed to help you get through the bumps and deep valleys of your life. Please use them, reach out, and take those steps.

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I said a lot today, but I also want to hear from you! What are your least favorite (or favorite) tropes related to mental health? Tell me in the comments!

Waiting Games

There is no feeling like the feeling of completing a draft. It is exhilarating, it is fulfilling, it is accomplishment. It is a milestone that few writers reach. And when you get there, you deserve to celebrate.

The thing is, it doesn’t end there.

After you finish the draft and celebrate, maybe go out and party with some friends (or maybe just stay home, dance, and read a book you’ve been dying to read), you still have a few critical milestones standing between you and the reader. I passed the next one: rewriting and rewriting and rewriting and rewriting…

After having the draft of This Cursed Flame (my fantasy novel set mostly in my own version of a djinn Realm, following one very shy and quiet genie who just might be the key to saving all the Realms) completed for a couple of years and editing and revising in the meantime, I finally worked up the nerve to submit my very first query to a publisher that accepts queries from unagented authors. This was the critical part, since I decided to move forward without an agent for the time being.

I did my research, I met with my writer friend Dara Lyons (who you can learn more about here), I composed my query letter, and I sent it off into cyber space.

That was a few weeks ago. And still not a word.

I don’t expect to have my work picked up right away. But waiting can be torture.

So what about you? Have any of you gone through the direct-to-publisher querying process? How long did you wait before moving on, and how did it go for you?